After Future; Dragon Ball - The Mythology of Goku

Pseudiom Review 2 years ago

विवरण

///OPEN TRANSMISSION - SIGN: DRAGON.BOY///

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[START] SUBJECT - GOKU: SUN WUKONG

The recovered sequence is one of many hard copies discovered in the Lunar Etna Gardens after the collapse of the Sarnath Dominon (GUILD READ: "Long Interregnum"). All recovered hard copies (SIGN: "Purchas Harlakenden") are verbal incunable relating to the mythology of Earth (CLARIFICATION: Pre-Moonfire) and subjects such as Toriyama's "Dragon Ball". The identity of the [ESCRIBE] "Purchas Harlakenden" has never been verified as the original sequencer from which these incunable originate has never been recovered. It is believed these hard copies were stripped by the Sarnath's Inner Program (GUILD READ: REDACTED) for reasons still unclear. No hard copies of Harlakenden's opinions (CLARIFICATION: on anime) and tangents have ever been discovered on Earth, even in the Guildmoot Archives of Antarctica. It is believed then only hard copies were placed into cold storage by Lunar attendants before the creation of the Sarnath's orbital capitol, but long after the restoration of the Lunar environment.

[ESCRIBE] Purchas Harlakenden's opinions contained in these transmissions then retain a interest in regards to novelty. Harlakenden's analysis pertains to the vast mythology roots of Dragon Ball and its characters. The focus featured here is on the character of Son Goku and his relationship to hero figures such as Sun Wukong and Mithras. This also includes reference to his tools such as the cloud Kinto'un (ALT: "Flying Nimbus") and Nyoibō, (ALT: "Magic Stick"). Attention is paid to the terrestrial and celestial origins of Goku's skills such as the Kamehameha and Genki Dama (ALT: "Spirit Bomb"). There too is the parallel of Goku to figures such as Vegeta and Piccolo who appear in the mythology of Dragon Ball. Harlakenden's analysis then concludes on a certain "apocrypha" of which no proof could be found of beside scant references to a figure deemed "the Xicor". It may be worthy to investigate Harlakenden's notes on figures such as Frieza, Cell, and Broly deeper.

NOTE: [ESCRIBE] Harlakenden appears unaware Goku's clothes were occasionally depicted as yellow/gold. We believe he may have enjoyed this fact as further support of his belief on the mythological aspect of Dragon Ball.

Analysis of the other hard copies attributed to [ESCRIBE] Purchas Harlakenden will continue. [END]

#dragonball - #mythology - #goku
///CLOSE TRANSMISSION - ESCRIBE: ROERICH RESTORATION PROGRAM///
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Credits:
- Intro Animation by Scott Luís Masson/SLM Illustration: https://slmillustration.com/ / Instagram:
https://www.instagram.com/slm_illustration/ / Facebook: https://www.facebook.com/ScottLMasson
- Intro Music by Ben Elliott: https://twitter.com/BenElliottSound
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Music:
Yannis Brown (Buu's Fury OST) - "Heaven Theme" (00:00-01:53)
Yannis Brown (Dragon Ball Z: The Legacy of Goku II OST) - "Capsule Corporation" (01:53-05:05) Yannis Brown (Dragon Ball Z: The Legacy of Goku II OST) - "Time to Go Home" (05:05-08:36)
Yannis Brown (Buu's Fury OST) - "Grand Kai's Theme" (08:36-10:47)
Yannis Brown (Buu's Fury OST) - "Fukurou Forest" (10:47-14:25)
Yannis Brown (Dragon Ball Z: The Legacy of Goku II OST) - "Piccolo's Theme" (14:25-17:47)
Yannis Brown (Dragon Ball Z: The Legacy of Goku II OST) - "Peaceful Day" (17:47-22:41)
Yannis Brown (Dragon Ball Z: The Legacy of Goku II OST) - "Goku's House" (22:41-23:25)
Ben Elliot - "Journey To Paris" (23:25-23:57)
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All copyrighted media, images, and music respective owner(s).
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[FRAGMENT] RECOVERED: "Thanks For Watching"