STRAWBERRY ALARM CLOCK - The Image Club, Miami, FL 1969.xx.xx

a̾c̾t̾u̾a̾l̾ ̾e̾r̾a̾ ̾h̾e̾r̾e̾s̾y̾ ̾d̾o̾e̾s̾n̾'̾t̾ ̾d̾e̾s̾e̾r̾v̾e̾ ̾t̾o̾ ̾h̾a̾v̾e̾ ̾t̾h̾i̾s̾ ̾m̾a̾g̾i̾c̾ ̾m̾u̾s̾i̾c̾,̾ ̾b̾u̾t̾ ̾a̾t̾ ̾l̾e̾a̾s̾t̾ ̾w̾e̾ ̾c̾a̾n̾ ̾e̾n̾j̾o̾y̾ ̾&̾ ̾p̾r̾e̾s̾e̾r̾v̾e̾ ̾i̾t̾

https://archive.org/details/track-00260721


So what's the story with Strawberry Alarm Clock's "Incense and Pepperments"? I heard when Ed King left the band, after writing I&P's, that he never received any royalties for it. So when Ed King joined Lynyrd Skynyrd & was one of those members who was in & out of LS, he was about to depart shortly after he wrote "Tuesday's Gone". He stated he lost one song already & wasn't about to loose another one

I don't know how true that is, but I'd like to hear others input on it


Strawberry Alarm Clock .... 1969
The Image Club, Miami, Florida, U.S.A.





Set list:

01. Introduction
02. Miss Attraction
03. Drum Solo, Incense and Pepperments


̾i̾ ̾d̾o̾n̾t̾ ̾p̾u̾t̾ ̾a̾d̾s̾ ̾i̾n̾ ̾v̾i̾d̾e̾o̾s̾,̾ ̾s̾o̾m̾e̾ ̾c̾o̾m̾e̾n̾t̾s̾ ̾c̾o̾u̾l̾d̾ ̾b̾e̾ ̾a̾u̾t̾o̾m̾a̾t̾i̾c̾a̾l̾l̾y̾ ̾e̾r̾a̾s̾e̾d̾ ̾b̾y̾ ̾Y̾T̾

c̾h̾e̾c̾k̾ ̾o̾u̾r̾ ̾a̾r̾c̾h̾i̾v̾e̾ ̾o̾r̾g̾ ̾a̾n̾d̾ ̾o̾u̾r̾ ̾b̾l̾o̾g̾ ̾f̾o̾r̾ ̾f̾r̾e̾e̾ ̾m̾u̾s̾i̾c̾ ̾n̾o̾ ̾a̾d̾s̾ ̾a̾n̾d̾ ̾o̾f̾f̾l̾i̾n̾e̾ ̾d̾o̾w̾n̾l̾o̾a̾d̾s̾,̾ ̾p̾e̾a̾c̾e̾ ̾a̾n̾d̾ ̾l̾o̾v̾e̾

Y̾T̾ ̾u̾s̾u̾a̾l̾l̾y̾ ̾b̾l̾o̾c̾k̾s̾ ̾m̾y̾ ̾v̾i̾d̾e̾o̾s̾ ̾a̾f̾t̾e̾r̾ ̾3̾0̾0̾ ̾v̾i̾e̾w̾s̾.̾.̾

̾I̾ ̾H̾A̾V̾E̾N̾T̾ ̾A̾N̾Y̾ ̾M̾O̾N̾E̾T̾I̾Z̾A̾T̾I̾O̾N̾



©̾ ̾T̾O̾ ̾O̾W̾N̾E̾R̾S̾ ̾&̾ ̾C̾O̾P̾Y̾R̾I̾G̾H̾T̾ ̾H̾O̾L̾D̾E̾R̾S̾:̾ ̾T̾h̾i̾s̾ ̾c̾h̾a̾n̾n̾e̾l̾ ̾i̾s̾ ̾c̾r̾e̾a̾t̾e̾d̾ ̾t̾o̾ ̾p̾r̾o̾m̾o̾t̾e̾ ̾m̾a̾g̾n̾i̾f̾i̾c̾e̾n̾t̾ ̾A̾l̾b̾u̾m̾s̾.̾ ̾N̾O̾ ̾C̾O̾P̾Y̾R̾I̾G̾H̾T̾ ̾I̾N̾F̾R̾I̾N̾G̾E̾M̾E̾N̾T̾ ̾I̾N̾T̾E̾N̾D̾E̾D̾.̾ ̾T̾h̾i̾s̾ ̾C̾H̾A̾N̾N̾E̾L̾ ̾C̾L̾A̾I̾M̾S̾ ̾N̾O̾ ̾R̾I̾G̾H̾T̾S̾ ̾O̾R̾ ̾O̾W̾N̾E̾R̾S̾H̾I̾P̾ ̾o̾v̾e̾r̾ ̾t̾h̾e̾ ̾c̾o̾n̾t̾e̾n̾t̾s̾ ̾p̾o̾s̾t̾e̾d̾.̾ ̾I̾f̾ ̾y̾o̾u̾ ̾w̾i̾s̾h̾ ̾f̾o̾r̾ ̾a̾ ̾A̾l̾b̾u̾m̾ ̾t̾o̾ ̾b̾e̾ ̾r̾e̾m̾o̾v̾e̾d̾,̾ ̾p̾l̾e̾a̾s̾e̾ ̾l̾e̾t̾ ̾m̾e̾ ̾k̾n̾o̾w̾ ̾s̾o̾ ̾I̾ ̾c̾a̾n̾ ̾r̾e̾m̾o̾v̾e̾ ̾i̾t̾ ̾i̾m̾m̾e̾d̾i̾a̾t̾e̾l̾y̾ ̾n̤̾̾a̤̾̾m̤̾̾g̤̾̾e̤̾̾n̤̾̾o̤̾̾1̤̾̾9̤̾̾6̤̾̾9̤̾̾@̤̾̾g̤̾̾m̤̾̾a̤̾̾i̤̾̾l̤̾̾.̤̾̾c̤̾̾o̤̾̾m̤̾̾



y̾o̾u̾t̾u̾b̾e̾ ̾i̾s̾ ̾o̾n̾l̾y̾ ̾a̾ ̾t̾r̾a̾i̾l̾e̾r̾ ̾f̾o̾r̾ ̾t̾h̾e̾ ̾r̾e̾a̾l̾ ̾m̾u̾s̾i̾c̾,̾ ̾l̾i̾s̾t̾e̾n̾ ̾a̾n̾a̾l̾o̾g̾ ̾v̾i̾n̾y̾l̾s̾ ̾a̾n̾d̾ ̾c̾a̾s̾s̾e̾t̾t̾e̾s̾,̾ ̾a̾s̾ ̾a̾ ̾w̾i̾s̾e̾ ̾h̾i̾p̾p̾i̾e̾ ̾o̾n̾c̾e̾ ̾t̾o̾l̾d̾ ̾m̾e̾ ̾ ̾i̾n̾t̾e̾r̾n̾e̾t̾ ̾i̾s̾ ̾a̾ ̾t̾o̾o̾l̾ ̾o̾f̾ ̾s̾o̾c̾i̾a̾l̾ ̾c̾o̾n̾t̾r̾o̾l̾,̾ ̾n̾o̾t̾h̾i̾n̾g̾ ̾m̾o̾r̾e̾'̾'̾ ̾

y͎o͎u͎t͎u͎b͎e͎ ͎a͎n͎d͎ ͎c͎o͎p͎y͎r͎i͎g͎h͎t͎ ͎i͎s͎ ͎r͎u͎l͎e͎d͎ ͎b͎y͎ ͎p͎s͎y͎c͎h͎o͎p͎a͎t͎h͎s͎ ͎a͎n͎d͎ ͎e͎v͎i͎l͎ ͎c͎a͎p͎i͎t͎a͎l͎i͎s͎m͎.͎.͎ ͎i͎ ͎h͎a͎t͎e͎ ͎t͎h͎i͎s͎ ͎p͎l͎a͎t͎f͎o͎r͎m͎ ͎e͎v͎e͎r͎y͎d͎a͎y͎ ͎m͎o͎r͎e͎.͎.͎