Description
Aim for stability in at least one inner voice, usually the alto. Using a short musical excerpt, this voice leading lesson shows how keeping the alto (and to a lesser extent, the tenor) relatively static while the melody and bass carry the movement helps bind a passage together harmonically. This inner stability strengthens the chord progression and helps avoid common pitfalls like crossing parts, awkward spacing, and doubled major thirds, a practical tip for composition students and diploma candidates alike.
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🕘 Timestamps
0:00 - Introduction to achieving stability in the inner voices
0:39 - Middle parts
1:04 - Playing the example
1:20 - Individual lines
3:45 - Advantages of stable middle parts
5:08 - Conclusion
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