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Spirit: Stallion of the Cimarron (or simply Spirit) is a 2002 American animated Western film directed by Kelly Asbury and Lorna Cook, written by John Fusco, from an idea by Jeffrey Katzenberg, who produced with Mireille Soria.[5] Set in the Old West in the late 19th century, the film follows Spirit, a Kiger mustang stallion (voiced by Matt Damon as a narrator), who is captured during the American Indian Wars by the United States Cavalry; he is eventually freed by a Lakota man named Little Creek with whom he bonds, as well as a mare named Rain. The film was produced by DreamWorks Animation, combining traditional animation and computer animation. In contrast to the anthropomorphic style of animal characters in other animated features, Spirit and his fellow horses communicate with each other through non-linguistic sounds and body language (albeit with many human facial expressions and reactions). Spirit: Stallion of the Cimarron was released in theaters on May 24, 2002, by DreamWorks Pictures. The film received generally positive reviews from critics and grossed $122 million worldwide against a budget of $80 million. It was nominated for the Academy Award for Best Animated Feature.[6][7] The film also launched a media franchise completely using computer animation, with a Netflix spin-off television series Spirit Riding Free premiering on May 5, 2017, followed by a spin-off of the original film, titled Spirit Untamed, released on June 4, 2021.
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107: Limitations on exclusive rights: Fair Use
Notwithstanding the provisions of section 106, the fair use of a copyrighted work, including such use by reproduction in copies or phone records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use, the factors to be considered shall include:
1. The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
2. the nature of the copyrighted work;
3. The amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
4. The effect of the use upon the potential market for or value of the copyrighted work. (added pub. l 94-553,
Title I, 101, Oct 19, 1976, 90 Stat 2546)
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