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The marimba (/məˈrɪmbə/ mə-RIM-bə) is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the marimba has a lower range. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone.
Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles.
Etymology and terminology
An array of named instruments in the Kongo Kingdom by Girolamo Merolla da Sorrento (1692)
The term marimba refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704.[1] The term is of Bantu origin, deriving from the prefix ma- meaning 'many' and -rimba meaning 'xylophone'. The term is akin to Kikongo and Swahili marimba or malimba.[2]
History
Ancient
Marimba players in Africa
Instruments like the marimba are present throughout the entirety of sub-Saharan Africa.[3] The instrument itself is most similar and shares its name with the marimbas of modern-day Angola and the Democratic Republic of the Congo.[4] However, it is also similar to instruments that exist in West Africa such as the balafon of the Mandinka people, known as gyil among the Gur peoples in and around northern Ghana and Burkina Faso.[5]
Mexico
The first known marimba dates back to 1545 in the Santa Lucía hacienda, in the municipality of Jiquipilas, Chiapas. According to documentation dated October 9, 1545, the encomendero Don Pedro Gentil de Bustamante and owner of the hacienda of Santa Lucia, describes in his chronicle a marimba in a celebration of Indians; and tells us the following:.[6][7]
"...said instrument is composed of eight slats of red wood, unequal in size, which are pierced together with cord and produce joyful echoes with boards of the macaguil (macagüil) stick (...) rows of boards tied to short orchestras (sic) flanged and stretched under said instrument a hole in the ground and glued with resin on the boards snake rattles that make musical vibrate with blows of two small sticks with black wax head one for each hand... ...that this music is accompanied by a drum of animal skin (...)"[8]
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