Fishman’s new Fluence acoustic guitar soundhole pickups build on the company’s earlier electric Fluence models, which offered low noise and multiple selectable voices in traditional pickup formats. Bringing that technology to acoustic guitars is a natural move for a company long dominant in the field. But unlike in the electric market, these pickups compete not only with other brands but with Fishman’s own magnetic, sensor, and hybrid designs. Most acoustic pickups are one-sound-fits-all generalists. The Fluence models instead target specific sonic goals. Full review: https://acousticguitar.com/review-fishman-fluence-acoustic-pickups-offer-tone-targeted-models-and-real-time-voice-switching/
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Fishman Fluence Pickups Offer Targeted Tones—And Let You Change Voicings at the Flip of a Switch
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Fishman Fluence Pickups Offer Targeted Tones—And Let You Change Voicings at the Flip of a Switch
Fishman’s new Fluence acoustic guitar soundhole pickups build on the company’s earlier electric Fluence models, which offered low noise and multiple selectable voices in traditional pickup formats. Bringing that technology to acoustic guitars is a natural m...
Open this video on Acoustic Guitar MagazineRiley Puckett Lesson: Explore the Early Country Guitarist's Style
Guitarist and educator Cameron Knowler unpacks the driving bass lines, syncopated strums, and inventive fills of Riley Puckett. This Woodshed lesson reveals the dynamic approach that made Puckett a foundational—but often overlooked—figure in old-time guitar...
Open this video on Acoustic Guitar Magazine“Pipe on the Hob”—Learn an Arrangement by the Late Great John Renbourn
A newly uncovered John Renbourn arrangement of the classic song “Pipe on the Hob”—unrecorded during his lifetime—receives its debut here. The piece is taught and demonstrated on video by Mike Walker, Renbourn’s longtime mastering engineer and the editor of ...
Open this video on Acoustic Guitar MagazineOlive Jones’ Unplugged Soul | Acoustic Guitar Sessions
London-based singer-songwriter Olive Jones stopped by the AG office to play a pair of tunes off her debut album, For Mary. Jones’ groove-forward, intuitive approach to fingerstyle comes from channeling her inner drummer. “When I’m writing, I’m imaging what ...
Open this video on Acoustic Guitar MagazineStep into Soloing | Part 4 | Solo Using Lines Moving Through Chord Shapes
In this fourth installment of an intro to soloing, Jeffrey Pepper Rodgers shows how to build cool lines by targeting the tones inside each chord. Instead of running scales, you’ll learn to outline harmony and create melodic phrases that follow the progressi...
Open this video on Acoustic Guitar MagazineJackson Emmer’s Serious Wit | Acoustic Guitar Sessions
Jackson Emmer has a way with words. Now, that might seem like an obvious thing to say about a singer-songwriter, but in Emmer’s hands a few well-selected lyrics convey volumes of complexity, a familiar turn of phrase takes on a new meaning, and a sly chorus...
Open this video on Acoustic Guitar MagazineHow to Flatpick “Little Darling Pal of Mine”
Flatpicking ace Alan Barnosky adapts the traditional melody into a flatpicking study full of strums, arpeggios, and crosspicking. This versatile arrangement builds right-hand precision and brings a classic, energetic tune into your repertoire. You’ll find t...
Open this video on Acoustic Guitar MagazineWeek One | Reharmonization for Songwriting and Arranging | Acoustic Guitar Weekly Workout
In this workout for refreshing familiar progressions through creative chord substitutions, Jane Miller shows how small harmonic shifts can reshape melodies, spark new arranging ideas, and open songwriting pathways. A focused weekly practice routine for expa...
Open this video on Acoustic Guitar MagazineBluegrass Jam Etiquette | Jackson Emmer | Acoustic Guitar Teaching Artists
In this lesson, Jackson offers a practical introduction to bluegrass jam etiquette, aimed especially at players attending their first jam session. He covers the social dynamics of the picking circle—finding the leader, learning the local customs, and unders...
Open this video on Acoustic Guitar MagazineElsie Franklin | How I Learn | Solid Slide Form in Open-D Tuning
Vastapol, or open-D tuning (D A D F# A D, lowest string to highest), was once called the “learning tuning” by bluesman Furry Lewis. Long associated with country blues and other roots styles, it's especially well suited to fluid, vocal-like slide lines. In t...
Open this video on Acoustic Guitar MagazineGreg Ruby | How I Play | Oscar Alemán Licks
Argentine guitarist Oscar Alemán was one of the great jazz players of the swing era and a contemporary of Django Reinhardt, though his legacy has often been overshadowed by Reinhardt’s towering reputation. Greg Ruby has long championed Alemán’s music and ev...
Open this video on Acoustic Guitar Magazine“Sunny Afternoon” | The Kinks for Acoustic Guitar
Jeffrey Pepper Rodgers performs the Kinks’ sly, swinging hit, translating Ray Davies’ groove and attitude to an acoustic guitar-and-voice arrangement. The full arrangement, with TAB, notation and written instruction appears in the January/February 2026 issu...
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